{"id":5969,"date":"2025-12-12T04:02:41","date_gmt":"2025-12-12T04:02:41","guid":{"rendered":"https:\/\/afflatuscreations.com\/?page_id=5969"},"modified":"2026-01-25T07:33:12","modified_gmt":"2026-01-25T07:33:12","slug":"volume-2-issue-8-july-september","status":"publish","type":"page","link":"https:\/\/afflatuscreations.com\/index.php\/volume-2-issue-8-july-september\/","title":{"rendered":"Volume – 2 | Issue – 8 [July – September ]"},"content":{"rendered":"\t\t
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July to September 2025<\/div>
Volume - 2 | Issue - 8<\/div><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tDr. Shaleen Kumar Singh\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Editorial<\/span><\/strong><\/p>

Every issue of our journal is a journey and a place, a meeting of the voices of all the continents, all
traditions and the constantly broadening horizon of human imagination.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t Dr. A. Arun Daves\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Epistle to Dear Lucian<\/i><\/span><\/strong><\/p>

Dear Lucian, hear beneath these quiet skies,
A mourning song where countless silence lies.<\/p>

Where The River Begins<\/em><\/span><\/strong><\/p>

Where mountain keeps its ancient watch,
Above the clouds and pines,
A voice was formed from silent stone,
Enduring through all time.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tBharati Nayak\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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My Creativity Is My Refuse<\/i><\/span><\/strong><\/p>

When I feel hurt by words and behaviour, rough and acidic That lacerate my heart deep within
I take refuge in my creativity
There my pen weeps instead of my eyes.<\/p>

High Time To Go<\/em><\/span><\/strong><\/p>

You said, it is high time
I should go.
I said to myself
It is high time
I should go.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tConcetta La Placa\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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CHILDHOOD BETRAYED.<\/i><\/span><\/strong><\/p>

A cry of profound pain
rises in these hours
throughout the universe.<\/p>

POIGNANT LONELINESS’.<\/em><\/span><\/strong><\/p>

The silence is like a shock wave for the soul.
It invests me and pulls me into a rare sonorous depth of melancholy.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tGermain Droogenbroodt\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ARTIFICIAL INTELLIGENCE<\/i><\/span><\/strong><\/p>

Rivers overflow their banks
houses are demolished
cars swept away
by the raging waters:
man has disrupted nature.<\/p>

WHAT WILL REMAIN<\/em><\/span><\/strong><\/p>

Everything that ever lived
is sooner or later erased by time.<\/p>

PETRIFIED<\/strong><\/span><\/p>

At the town square
stands the statue
of a war hero.<\/p>

A few haiku<\/span><\/strong><\/p>

Unconcerned rosy
announcing upcoming spring
apricot blossoms<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tGopal Lahiri\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Blue Hour<\/i><\/span><\/strong><\/p>

There is another world inside this one.<\/p>

Surreal Night<\/em><\/span><\/strong><\/p>

Tonight, there will be no sleep for me,
no words but the memories fall from the leaps of night and capture the strong wind,<\/p>

Ancient Storytellers<\/strong><\/span><\/p>

Walking along the windy forest path I do not
look back on anything.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tIvan Pozzoni\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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THE TEMPTATION TO EXIST<\/i><\/span><\/strong><\/p>

The temptation to exist of your generation,
transforms, in mine, into an existence attempted by equation:
19 + 19 = 38 + x, always remains an unknown,<\/p>

ATELIER<\/em><\/span><\/strong><\/p>

In the late modern of the ancient western world,
every Atelier is transformed in our hands, from a craftsman’s shop,<\/p>

HOLY SHIT, WHY DO YOU LOOK LIKE BUKOWSKI?<\/strong><\/span><\/p>

It’s not easy to be at 2:25 in the morning, with a drink in front of you, tapping away on the keys,
i would never want my detractors, or the parasites, to accuse me of imitating Bukowski,<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tMaria Cristina Azcona\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Planet Earth\u00b4s Prayer<\/i><\/span><\/strong><\/p>

Lord I wish that you who hold me tight Will help me to be patient and blameless To remain me that you talked to my insight Of your love through Jesus Nazarene<\/p>

Bullet train<\/em><\/span><\/strong><\/p>

Audacious, fleeting fugitive
Six hundred, kilometres in an hour Like silver bullet in high arrogance A symbol of an era decadent<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tNisha Motghare\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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WELCOME NEW CREATION<\/i><\/span><\/strong><\/p>

In the welcome of new creation, a sense of disorientation emerged.
The wings of desires, once stretched to the far horizon, have now folded in.
A profound silence settled within the cells<\/p>

THE PURPOSE OF LIVING<\/strong><\/span><\/p>

The world is changing within me,
Happiness murmurs with glee.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tDr. Rajamouly Katta\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a0<\/p>

Sculptures of Musings<\/i><\/span><\/strong><\/p>

Musings are fantastic
Fanciful as well as artful
Away from outer senses
As a concealed treasure
Musings dawn<\/p>

Good Hearts<\/strong><\/span><\/p>

I love to see the people
With good hearts
They wish human welfare,<\/p>

Musings Like Lightning<\/i><\/strong><\/span><\/p>

Musings dawn in my mind for full delight,
For beauty and truth, they are singular,
Like lightning in the welkin to shine bright.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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God is dead<\/i><\/span><\/strong><\/p>

Thousands, Millions Billions
Leaving the mythical honey trap
Leaving the fathom full of hate-sea
Leaving the path full of darkness<\/p>

Gone enough<\/strong><\/span><\/p>

Gone enough
in my river of pain!
Innumerable stars lost like floating hyacinth
Perhaps floating still on a flooded stream
Innumerable still fortunately surviving like a caged bird
However, every day they pass
through lightening of threats!<\/p>

I am not a Lotus Eater <\/i><\/strong><\/span><\/p>

I have no time to live
in a den of pleasure
I can\u2019t wane my time
in a Lotus land
Where sleepers sleeping for decades
I can\u2019t\u2026<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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STRENGTHEN ME TO FACE PROBLEMS<\/i><\/span><\/strong><\/p>

O God!
Before death conquers
Strengthen me to face more problems
Bless me to play with the waves and storms
Increase wisdom and dispel fear<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tDr. A. Arun Daves \t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cThe Lion Who Died Standing\u201d
A Folk Tale for Those Whose Worth Is Ignored<\/i><\/span><\/strong><\/p>

In the hidden world of Aetherpine, where the trees touched the stars and rivers spoke forgotten names, there once lived a lion named Kaelor.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tMusharraf Ali\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Jinnat<\/i><\/span><\/strong><\/p>

Outwardly, Maulana Shameem\u2019s eyes were fixed on the calendar hanging on the wall that depicted Mecca and Medina, but his mind was lost elsewhere.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tSANJUKTA DASGUPTA \t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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THE BIRTHDAY PARTY<\/i><\/span><\/strong><\/p>

No one can recall that they were stunned into silence followed by indescribable stress if they were told that they had been invited to a birthday party.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tIvan Pozzoni\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Kolektivne NSEAE militant hijacking movement against the Papal State Italian art<\/i><\/span><\/strong><\/p>

Hijacking has been defined by Douglas B. Holt\u2014in a more modernist vein\u2014as “[…] turning expressions of the capitalist system and its media culture against itself[…]”<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tIvan Pozzoni\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The late-modernism<\/i><\/span><\/strong><\/p>

Giorgio Linguaglossa raises a crucial question about the concept of art: \u00abHow and where to orient the search for the new poetic language?\u00bb.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tDr. Shujaat Hussain\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Khetarpal\u2019s Voice of Poetry Defends Indian Culture and Its Glory<\/i><\/span><\/strong><\/p>

Milton\u2019s characters, for the most part, are products of imagination. By contrast, Dr. Dalip Khetarpal creates his figures out of lived experience and cultural reality.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tDr Dalip Khetarpal\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Robert Maddox-Harle\u2019s Scratches and Deeper Wounds\u2014an analytical Study<\/i><\/span><\/strong><\/p>

Rob Harle, also known as Robert Maddox-Harle, is a poet, editor, artist, and reviewer living in Lismore, Australia. He was born in 1948 in Sydney, Australia, has a background in art, architecture, writing, and psychotherapy.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A WEIRD FUSION<\/i><\/span><\/strong><\/p>

I often perceive a fusion of contrasting melodies
resonating through the air:
one emanating from a brothel-
coarse and base, while the other rises
from a temple, sacred and serene.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Exploring Natural Sensitivities Inside Moonbeams in Clouds<\/em>, by Dr. Rajamouly Katta<\/i><\/span><\/strong><\/p>

Dr. Rajamouly Katta is surely a dynamic multi-dimensional author, essayist, poet, and educator.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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“Kavitanjali: Multiple Aspects of Love and Life”
Prof TV Reddy, Poet, short story writer, novelist, critic, Thirupathi<\/i><\/span><\/strong><\/p>

Katta Rajamouly is a familiar name and not a new voice in Indian writing in English, particularly in the field of Indian poetry in English.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tMaria Cristina Azcona\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Review to the book \u201cA Crown of Roses\u201d
Author: Sayumi Kamakura <\/i><\/span><\/strong><\/p>

\u201cA Crown of Roses\u201d is a bilingual book of Haiku poetry by Sayumi Kamakura. The book provides a Japanese version by the author herself and translation to English, provided by James Shea and Jim Kacian.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dr. Dipak Giri\u2019s Dalit Autobiography: A Critical Study: A Review<\/i><\/span><\/strong><\/p>

Dipak Giri\u2019s Dalit Autobiography: A Critical Study brings together critical studies on notable Dalit autobiographers\u2014both men and women\u2014exploring how their works reflect alienation, resilience, gendered oppression, and the fight for dignity.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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V. iv: Classics in Translation
\u201cSri Ramacharitamanasa: A Classical Epic of Values and Relations\u201d<\/i><\/span><\/strong><\/p>

Sri Ramacharitamanasa, a classical epic of values and relations is Goswami Tulasidas\u2019
Hindi translation of Valmiki\u2019s Ramayana in Sanskrit.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Critical Appreciation of Wordsworth’s and Robert Frost’s Poems
‘Solitary Reaper’ and ‘Stopping by Woods on a Snowy Evening’
in Comparison and Contrast<\/i><\/span><\/strong><\/p>

Wordsworth and Robert Frost are well-known nature poets, but they vary from each other in the treatment of nature. They love to live in nature. Nature is their most important subject. Their love of nature persisted throughout their careers, and it is evident in their poetry<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Voicing the Unspeakable: Cathy Caruth and the Language of Trauma in Toni
Morrison\u2019s Beloved<\/i><\/span><\/strong><\/p>

This paper explores Cathy Caruth\u2019s trauma theory in relation to Toni Morrison\u2019s Beloved examining how language becomes a medium to voice the unspeakable wounds of slavery. Through Caruth\u2019s lens, Morrison’s narrative reveals trauma as a haunting presence that resists direct representation, emerging instead through fragmented memory, silence, and repetition. The novel becomes a site where the unspoken finds expression, embodying the complexities of remembering and bearing witness.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Traditional Indian Knowledge in Modern Stories: How IKS Shapes Themes and Characters in Indian English Literature<\/i><\/span><\/strong><\/p>

There are deep models found in Indian English Literature (IEL) that can offer describing characters motivations and dilemmas. Ancient Indian Knowledge Systems (IKS) BAIF Postgraduate Institute of Rural Development. Dharma, a virtue, means righteousness, moral order and duties. Moreover, karma refers to action and its consequences.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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MID-SUMMER HAIKU<\/i><\/span><\/strong><\/p>

no birds are singing
even strident water-play is stifled by heat<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Journey Through Words, Colors, and Faith<\/i><\/span><\/strong><\/p>

I, Timoth\u00e9e Bordenave, walk through my beloved Paris carrying notebooks that bridge my literary and visual worlds.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tTimoth\u00e9e Bordenave\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Compass and Shadow
Hand-Drawn Impossibilities: A Personal Exploration<\/i><\/span><\/strong><\/p>

I, Timoth\u00e9e Bordenave, walk through my beloved Paris carrying notebooks that bridge my literary and visual worlds.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tDr Jagdish Batra\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sri Aurobindo\u2019s vision of India and the world<\/i><\/span><\/strong><\/p>

Every year, when we celebrate Independence Day, we are reminded of Sri Aurobindo, whose birthday also falls on August 15. What a great coincidence! Aurobindo had predicted the rise of India and its independence was surely the first step towards the fulfilment of that vision.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tDr. Deen Dayal\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Features of Shakespearean Tragedies <\/i><\/span><\/strong><\/p>

The word \u2018Tragedy\u2019 comes from Greek word \u2018tragodia\u2019 meaning \u2018goat song\u2019 related to sacrifice
of goat made at the time of spring festival to worship the god \u2018Dionysus\u2019. The word \u2018tragoidia\u2019 is
made up of two words- \u2018tragos\u2019 meaning \u2018he goat\u2019 and \u2018oide\u2019 meaning \u2018a song\u2019. Therefore, tragedy
was a \u2018goat song\u2019 sung when \u2018he goat\u2019 was led to alter for sacrifice.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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July to September 2025 Volume – 2 | Issue – 8 Dr. Shaleen Kumar Singh Index No: 0 Editorial Every issue of our journal is a journey and a place, a meeting of the voices of all the continents, alltraditions and the constantly broadening horizon of human imagination. Full Text PDF Dr. A. Arun Daves […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-5969","page","type-page","status-publish","hentry"],"yoast_head":"\nVolume - 2 | Issue - 8 [July - September ] - Afflatus Creations<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/afflatuscreations.com\/index.php\/volume-2-issue-8-july-september\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Volume - 2 | Issue - 8 [July - September ] - Afflatus Creations\" \/>\n<meta property=\"og:description\" content=\"July to September 2025 Volume – 2 | Issue – 8 Dr. Shaleen Kumar Singh Index No: 0 Editorial Every issue of our journal is a journey and a place, a meeting of the voices of all the continents, alltraditions and the constantly broadening horizon of human imagination. 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